Whiskey Fingers

"My soul despite all the past agony thanks all the gods that were not there for me then."

artphotocollector:

“When you set up pictures, you’re not at any risk. Reality involves chance and risk and diving for pearls.”—Nan Goldin

Fifty years ago, during a tumultuous 1963, Constantine Manos joined Magnum Photos. Reared in South Carolina to Greek immigrant parents, he has for over 60 years taken photographs that are about light, shadow and what can be revealed in a moment. His pioneering work in color, and recognized expertise with a Leica still capture our attention.

The Museum of Art Ft. Lauderdale’s latest show, Florida Color, mines work from Manos’s “American Color” series. While this work has already received wide acclaim, I wonder what Floridian’s make of seeing images of their compatriots inside a museum. Are they a mirror or a window? —Lane Nevares

(via spencerlyoung)

likeafieldmouse:

Darren Waterston 

1. Remote Futures (2012)

2. Dolorosa (2013)

3. Split the Lark (2013)

4. Shadow from the Flowering (2007)

5. Umbria from the Flowering (2007)

6. Apocalyptic Study No. 1 (2006)

7. Tree of Sorrows (2013)

potatobeenz:

merosse:

rossroads:

How to Scramble Eggs with Gordon Ramsay

1. he seems like a chill mofo to hang with

2. what the hell have i been eating my entire life

my life has been changed forever

made these eggs today and can i say damn